What’s the Matter with Glenn Greenwald and Matt Taibbi?
Neither writer was ever a doctrinaire leftist, but it is fair to say that, even when criticizing Democrats and liberals (for example, for continuing the war on terrorism and the use of drones, or for favoring banks over homeowners during the Obama years), their critiques appeared to emerge from positions further left. But over the course of the first Trump term and subsequent Biden presidency, they gradually, then swiftly, drifted into the inchoate, mercurial world of “heterodox” thinking and writing—a sprawling and capacious complex of pontificators, with tendencies that range from fairly standard Silicon Valley sci-fi libertarianism to fantasy-genre monarchism to hard-right ethnonationalist neofascism.
Both of these main characters became uncomfortable in the liberal media around the time of “Russiagate,” a sprawling, incomprehensible liberal conspiracy theory that blamed Trump’s 2016 victory on Russian state malefactors. Both were deeply skeptical of the theory, while major left-leaning outlets like MSNBC, where Greenwald had once been a greenroom fixture, went particularly big on it. Ironically, however, both Greenwald and Taibbi took an almost conspiratorial view of the media’s commitment to Russiagate, treating the dissemination of the theory as a media conspiracy in and of itself, with Taibbi going so far as to compare it (with caveats, to be fair) in scale to the “WMD affair heading into the Iraq war” rather than as desperate wish-casting by liberals for some explanation, any explanation, for the election of Trump. Both men found friendlier audiences at Fox, where Greenwald became a regular guest of Tucker Carlson, and eventually as far abroad as the hair-sprayed Technicolor studios of Newsmax.
In the years that followed, both men took positions of reflexive hostility to mainstream media and contemporary liberal values. During the pandemic, for example, Taibbi criticized the legacy press for its “censorship of ivermectin news.” In the Biden years, he grew increasingly critical of any attempts to prosecute Trump for various crimes, arguing, as many conservatives did, that such attempts were inherently politically motivated and would set up cycles of revenge prosecution. Both men evinced growing concern with “cancel culture”: Taibbi created a regular feature on his website called Meet the Censored, in which he interviewed supposedly canceled writers and public figures, and Greenwald lamented that one of his own passion projects, a documentary about the tennis player Martina Navratilova, had been derailed at least in part by the unreasonable objections of trans activists.