Surviving “The Graduate”
It was the film that made me famous. On set, all I could think about was how I was failing.
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It was the film that made me famous. On set, all I could think about was how I was failing.
Missy Mazzoli’s operatic adaptation of George Saunders’s novel “Lincoln in the Bardo” is a charismatic, openhearted work.
Many mothers want clothes that they can wear to the playground and to work—and companies are eager to sell them a uniform.
Fifty years ago, Stevie Wonder released Songs in the Key of Life. Its message still feels urgent.
The comedian Maria Bamford on being the subject of a Judd Apatow documentary, her passion for open-book accounting, and dating in her…
In Lee Chang-dong’s brilliantly acted new film, “Possible Love,” a community’s devastation plays out through a documentary lens—and…
Michael Walzer wrote “Just and Unjust Wars” half a century ago. The war in Gaza made him rethink one of its fundamental principles.
“Fatherland” dramatizes the novelist Thomas Mann’s 1949 return to Germany. Its filmmaker, Paweł Pawlikowski, also tweaks the facts to fit…
Richard Darman was my source in the Reagan and Bush Administrations—and my best friend.
Unlike Nathan Fielder’s past work, “You Can See Everything” isn’t very funny, according to Naomi Fry. Instead, it’s a haunting exploration…
One of the biggest failures of the post-#MeToo moment is our collective inability to provide a confident, humane account of sex as a basic…
Why Buffalo Bills fans are convinced this is finally their year
John Field and Adelaide Percheron, the protagonists in my new book, were born in the eighteenth century. Was I writing a historical novel?
On the heels of her Emmy win for “Widow’s Bay,” Betty Gilpin reflects on growing up with actor parents, taking on Cole Escola’s role in…
For those who appreciate “locksport,” a well-crafted lock may be more interesting than whatever it locks up.
In Cristian Mungiu’s Palme d’Or-winning drama, starring Sebastian Stan and Renate Reinsve, a family of conservative Christian immigrants…
The Social Reckoning lacks the most compelling element of its predecessor.
Scott’s decision to self-publish could be seen as a protest against her ex-husband’s company—or as a sign of how profoundly it’s altered…
The new spot in Brooklyn joins its siblings, Gertrude’s and Gertie, as a bastion of playfully Ashkenazi-ish cooking.
Jeremy Strong on finding sympathy for Mark Zuckerberg, Kendall Roy, and Roy Cohn—and why the New Yorker Profile of him still stings.
While Christopher Abbott and Mike Faist duke it out as John Steinbeck’s Trask brothers, Florence Pugh’s Cathy is a gothic villain you…
A.I. is everywhere, and it’s often hard to tell what’s even real. Vinson Cunningham writes about the rise of A.I. in advertisements.
Caleb Hammer, the host of the popular YouTube series “Financial Audit,” claims that his goal is to make his viewers more financially…
In a new show at the Guggenheim, the artist grapples with patriotism and patriarchy through the long career of an anonymous F.B.I. agent.