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The Lost Dances of Paul Taylor
If a dance isn’t performed for a long time, it starts to disappear. People’s memories of it fade, and videos can be…
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Culture
The Heartrending Movies of John Cazale
With his sallow face and boulder-like forehead, John Cazale was one of the indelible character actors of the nineteen-seventies, but his…
News
John Singer Sargent’s Scandalous “Madame X”
Summer is a season ripe for scandal; people tend to be overheated and understimulated, looking to mist their crisping minds with idle…
Politics
Oval Office Ambush
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
News
Returning to the Scene of My Brutal Rape
A woman is running. In the path, a man appears as if from nowhere. He is masked and he holds a knife. What are her choices? On one side is…
News
Summer Culture Preview
High-stakes competition makes for high drama in “F1 the Movie” (June 27), directed by Joseph Kosinski, starring Brad Pitt as a Formula One…
Politics
Vladimir Putin’s Dangerous Game
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
Culture
Hilton Als on the Visionary World of Alva Rogers
I met Alva Rogers years ago, through a mutual friend, and her various incarnations—actress, singer, artistic director, writer,…
News
My New York City Tour of Tours
I’m a sucker for guided tours. I love a CliffsNotes condensation of a place. All of Rome in ninety minutes gave me a Visigothic sense of…
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Why I Broke Up with New York
All this may seem to imply some deeper judgment about the city—that I think it’s wanton and unregulated, a “Where’s Waldo?” of Boschian…
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Disco Balls and Roller Skates, at Xanadu
In the lushly pleasurable Bobby Darin bio-musical “Just in Time,” by Warren Leight and Isaac Oliver, the director Alex Timbers ensconces…
News
Rema and the Evolution of the Afrobeats Sound
For many years, the term Afrobeats, referring to a West African pop style that integrates dancehall, rap, and R. & B. with traditional…
Culture
The Powerful Films of the L.A. Rebellion
In the nineteen-seventies, U.C.L.A.’s Ethno-Communications program, founded to increase minority enrollment, attracted a critical mass of…
News
The Frick Returns, Richer Than Ever
The Frick Collection, on East Seventieth Street, is, by so many miles, the finest small city museum—less self-consciously eccentric than…
Culture
The Evolution of Dance Theatre of Harlem
From the start, Dance Theatre of Harlem’s history has been a cycle of struggle and triumph. The dancer Arthur Mitchell founded it in 1969,…
Culture
Richard Brody’s New Directors/New Films Picks
Beguiling blends of fiction and nonfiction are the highlights of this year’s edition of the New Directors/New Films series, at Film at…
News
Sunday in the Amusement Park with Elon
© 2025 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as…
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The Deaths—and Lives—of Two Sons
The truth is that however I choose to express myself will not live up to the weight of these facts: Vincent died, and then James died.…
News
What to Watch That Isn’t “The White Lotus”
The musician Tamara Lindeman founded the Canadian folk band the Weather Station in 2006, but it could be argued that she didn’t truly find…
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Faith Ringgold’s Message of Hope
Hilton Als Staff writer In 1971, the painter, quilter, and children’s-book author Faith Ringgold went to prison. She was not incarcerated;…
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The Profile Hemingway Could Never Live Down
Throughout the profile, Hemingway, drinking hard, employs a kind of skin-tightening lingo that he called “Indian Talk.” It wouldn’t have…